TiCToC: Times in Crisis, Times of Crisis: The Temporalities of Europe in Polycrisis
It is often said that Europe is in polycrisis: Climate, economy, migration, democracy, armed conflict and academia are pertinent fields where crisis abounds. This project explores the temporal registers of crisis, the vernacular articulation of life in turmoil, and the cultural dynamics expressed in crisis contexts. The central contention is the need to unravel what we term ‘times in/of crisis’. In crisis, people may feel like the clock is ticking (“TiC[k]ToC[k]”), or time is running out to avert crisis or deal with its effects. Crisis can be fast, slow, a sudden rupture, a chronic inescapable condition, be axiomatic, an era-defining atmosphere or mood, or an uncanny state of constant anticipation. Centered in anthropology and working across art, history, ethnology, memory studies, and philosophy, this project critically places time at the heart of crisis work, asking what it means to live in times of crisis, how crisis changes over time, and how crisis is perceived in hindsight. Critically, what distinguishes ‘crisis time’ from ‘normal time’?
Framing current conditions as ‘crisis’ or projecting time itself as being ‘in crisis’ are prevailing sensibilities in much discourse about polycrisis in Europe and beyond. This project offers empirical, methodological and theoretical apparatuses to better analyze what such crisis attentiveness effects, interrogating what the diverse yet now common category of ‘crisis’ accomplishes. Offering ethnographic takes on philosophical questions concerning ‘times in/of crisis’, each work package addresses three temporal pins – past, present, and future. The work packages focus on individual nodes of polycrisis in three regional settings: Eastern Europe (war and conflict), Mediterranean (economy), Scandinavia (migration), with shared research questions designed to aid comparison and comprehension. Empirically, the project highlights the diverse ways times of crisis are inhabited, methodologically it shows how times of crisis are expressed in art and literature, and theoretically it poses socio-philosophical questions concerning the temporal coordinates of crisis. Beyond the academy, activities will engage cooperation and associate partners at the National Museum of Denmark, EthnoFest, Open Society Archives, Post Bellum, Divadlo Feste, and the Slovene Ethnological Association.
Keywords:
temporality, poly-crisis, economy, migration, war, conflict, memory, Europe.
Consortium:
Project Leader: Andreas Bandak, University of Copenhagen, Denmark
Daniel Knight, University of St Andrews, United Kingdom
Heath Cabot, University of Bergen, Norway
Saša Poljak Istenič, Znanstvenoraziskovalni center Slovenske akademije znanosti in umetnosti (ZRC SAZU), Slovenia
Vlad Naumescu, Central European University, Austria
Jana Nosková, Institute of Ethnology of the Czech Academy of Sciences, Czechia
Associate partners:
Jiri Honzirek, Divadlo Feste, Czech Republic
Marie Janouskova, Post Bellum, Czech Republic
Tanja Roženbergar, Slovene Ethnological Society, Slovenia
Morten Nielsen, National Museum of Denmark, Denmark
Cooperation partners:
Astrid Erll, Professor, Goethe University/Institute of English and American Studies, Germany
Director and co-founder Konstantinos Aivaliotis, Ethnofest, Greece
Eelco Runia, author, cultural historian, psychologist, Independent, Netherlands
Francois Hartog, Professor, EHESS/, France
Hans Ulrich Gumbrecht, Professor, Stanford University/School of Humanities and the Sciences/Division of Literatures, Cultures, and Languages, United States
Istvan Rev, Director, Open Society Archive, Hungary
Jane Bennett, Professor, Johns Hopkins University/Department of Comparative Thought and Literature, United States
Rebecca Bryant, Professor, Utrecht University/Department of Cultural Anthropology, Netherlands
Susana Narotzky, Professor, University of Barcelona/Department of Social Anthropology, Spain