OOR

2nd OOR Workshop: Authorship, Copyright and Production Studies

Event Date: 
Tue, 28/06/2011 - 09:18
Venue: 
University of Bergen
Location: 
Bergen, Norway
External Website Address: 

A workshop where all members of the OOR project teams meet with invited academics from various disciplines, to discuss  authorship and the 'original' work in audiovisual industries.

3rd OOR Workshop: Trends in Multiple Authorship: Empirical Studies and Legal Implications

Event Date: 
Fri, 16/12/2011 - 09:30 to 16:30
Venue: 
University of Amsterdam, IVIR
Location: 
Amsterdam

The third workshop of the OOR project, where all the project teams got together with invited academics to hear presentations and discuss  how authorship norms in copyright law  map on actual creative practices including digital art, dance and peer production. Is there a disconnect between law and practices? Does it matter? For programme and abstracts see the  events page at our OOR public wiki

HERA OOR Workshop Notions of and conditions for authorship and creativity in media production

Event Date: 
Fri, 02/11/2012 - 09:30 to 17:00
Venue: 
University of Bergen, Infomedia Department
Location: 
Bergen

A range of academics debates Notions of and conditions for authorship and creativity in media production. With presentations by:

  • Jennifer Holt on “Rewriting the Script: Conglomerates and Creativity in Contemporary Hollywood”,
  • Eva Novrup Redvall on “Screenwriters and Showrunners, Directors and Auteurs: Creative Collaborations in Film and Television”;
  • John Ellis on “We've brought content to users... now the problem is to bring users to content:  On blockages to the creativity that should have been enabled by the digital.”
  • Hendrik Storstein Spilker on “Rethinking models of production and distribution in the age of piracy”, and
  • Arnt Maasø on “Music streaming and the sense of ownership”.

The Work of Authorship Public Conference

Event Date: 
Fri, 26/04/2013 - 09:00 to 17:00
Venue: 
Doelenzaal, University of Amsterdam
Location: 
Amsterdam
External Website Address: 

Workshop on Authorship Dynamics and the Dynamic Work

Event Date: 
Sat, 15/12/2012 - 09:30 to 17:00
Venue: 
University of Cambridge, Faculty of Law
Location: 
Cambridge

Programme details and participant list are available on the OOR public wiki pages.

 

Of Authorship and Originality: Reclaiming Copyright in Support of Creative Collaboration in the Digital Environment (OOR)

For the latest info, see the OOR public wiki pages.
 
Of Authorship and Originality is a multi-disciplinary collaboration bringing together principal investigators and post-doctoral researchers of the Institute for Information Law (University of Amsterdam, The Netherlands), Department of Information Science and Media Studies (University of Bergen, Norway) and the Centre for Intellectual Property and Information Law (University of Cambridge, United Kingdom). The project queries how insights from literary theory, music studies, film/visual studies and other Humanities' disciplines can help articulate copyright norms that enable sustainable creative practices in the digital environment. Our focus will be on two interrelated, key concepts in copyright law: the author and the work.

The individual projects:

Authorship in Collective Arts
Department of Information Science and Media Studies (Infomedia)
University of Bergen
Prof. Jostein Gripsrud, principal investigator
Dr. Erlend Lavik, post-doc researcher

This project's theoretical challenge lies in finding a way to modify the traditional Romanticist notion of authorship that still inform today's copyright laws, particularly in view of the characteristics of collaborative production of artworks in different media and genres, without giving up on the idea that creators or authors of such works must retain a right to certain forms of control of the subsequent use of their works. In collaboration with our partners in the field of law, we wish to identify ways in which a renewed understanding could and should impact on the making and the interpretation of copyright law. While exploring theoretical contributions in several disciplines, our empirical focus will be creative processes in audiovisual production and popular music. Both cultural forms are heavily dependent on digital technologies and are thoroughly marked by collaborative forms of production. The Bergen project will study these two media and genres using well-proven ethnographic methodologies (participant observation and semi-structured interviews).

Multiplicity of Authors
Centre for Intellectual Property and Information Law (CIPIL)
Faculty of Law, University of Cambridge
Prof. Lionel Bently, principal investigator
Dr. Laura Biron, post-doc researcher (2010-2012)
Dr. Elena Cooper, post-doc researcher (2011-2013)

At present, by and large, national rules on authorship and copyright ownership are still based on the author as an individual autonomous agent operating in isolation. Within the overall theme of the research proposal on creative collaboration in the digital environment and copyright's response to facilitate such creative expression (or rather lack of it), the project by CIPIL will focus on problems of multiple authorship. Central in this stream are the relations between contributors: how roles are perceived within creative communities, and the status that copyright law attaches to the various roles, notably the allocation of authorial control both as regards economic rights and immaterial interests (the 'moral rights' of the author). Drawing upon the authorship theories explored in the initial phase of the CRP, and incorporating the results of the case studies by Infomedia, the CIPIL project will re-evaluate notions of co-authorship and  develop approaches that are conducive to collaborative creative production.

The Work as Creative Expression
Institute for Information Law (IVIR)
Faculty of Law, University of Amsterdam
Dr. Mireille van Eechoud, principal investigator & overall project leader
Stef van Gompel, post-doc researcher
Prof. dr. Bernt Hugenholtz, advisor

This project queries the continued viability of the 'original work of authorship' as a legal object. From an economic perspective, the delineation of copyright subject-matter is ofcourse necessary in order to make it a marketable entity. Copyright law thus has a natural tendency to view creative expression as a 'thing', to which rights are attached. At the same time, the law in many jurisdictions now seems to have evolved to the point where 'original' and 'creative' seem to be synonymous terms, both meaing little more than 'not directly copied' or 'resulting from a modicum of freedom of choice'. In this stream the focus is on insights humanities scholarship can provide to critically rethink the concept of 'work of authorship'. We are particularly interested in how it may inform a copyright policy that better facilitates the needs of creators to engage with existing works and materials without having to seek prior authorisation. Such a rethink also needs to consider the current harmonised right of reproduction, which is essentially a very broad technical concept, lacking normative meaning. We are also particularly interested in how copyright theory can better recognise art forms and practices where the creative value is in the processes as much (or even more so) as in the final product or artefact. 
 
      Centre for Intellectual Property and Information Law      IViR

 

OOR

Dr Elena Cooper

Title: 
post-doctoral researcher
Institution: 
University of Cambridge, Centre for Intellectual Property and Information Law
Country: 
United Kingdom
Project Title: 
OOR

Dr Erlend Lavik

Title: 
post-doctoral researcher
Institution: 
University of Bergen, Department for Information Science and Media Studies
External Website Address: 
Project Title: 
OOR

Dr Laura Biron

Title: 
post-doctoral researcher
Institution: 
University of Cambridge, Centre for Intellectual Property and Information Law
Country: 
United Kingdom
Project Title: 
OOR

Dr Mireille van Eechoud

Title: 
Associate professor
Institution: 
University of Amsterdam - Institute for Information Law
Address: 
Kloveniersburgwal 48, 1012 CX Amsterdam, The Netherlands
Country: 
The Netherlands
E-mail: 
eechoud@ivir.nl
Telephone: 
+31 20 525 3406
External Website Address: 
Mrs. Mireille van Eechoud is associate professor, and teaches in IViR's Information Law master programme. She is currently based in the United Kingdom where she is a visiting scholar at the Faculty of Law of the University of Cambridge. A substantial part of her research focuses on international and European intellectual property law, especially copyright, related rights and database protection. Her most recent book in this field, co-authored with Hugenholtz et al. is Harmonizing European Copyright Law. The Challengens of Better Law Making (Kluwer Law International 2009). Another major area of research is freedom of information law, in particular issues surrounding access to and exploitation of public sector information.

Ever since her doctoral thesis Choice of law in copyright and related rights, Alternatives to the lex protectionis (Kluwer Law International 2003), the private international law aspects of information law have been another recurrent theme in her work. Van Eechoud is a member of the European Max-Planck Group for Conflict of Laws in Intellectual Property (CLIP). This international group of scholars develops principles and aims to provide independent advice to European and national law-makers. Besides the HERA project van Eechoud’s current research includes the relationship between fundamental rights aspects of access to public sector information in relation to intellectual property rights and commercial use of government information.
 

 

Project Title: 
OOR

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